The Fictional Character Cleopatra Essays -- Cleopatra Shakespeare Play

The Fictional Character Cleopatra The fictional fiber of Cleopatra has captured the imaginations of people the world over. Helen of Troy was said to have had the face that launched a thousand ships. Cleopatra was not simply a beautiful and passive face, plainly indeed commanded navies as well as the heart of the powerful play off Antony. Looking at these two facts from the play one may dupe the political brilliance in her affections, alone also the dichotomy. Which one of her loves is true, and which is of an illusive nature? There is a constant battle between her dear towards the mighty Roman and her yearning for sovereignty and the glory of Egypt on her witness terms. This question certainly embroils the mind of Mark Antony, at least. All of this however, lonesome(prenominal) adds to her enigmatic depth of character and mystique. Cleopatra, despite being cunning and heretofore manipulative can be defined as one of publicationss grea t rooters. She was a lover of men and a lover of her country. A figure more driven in these categories would be stern to find. Yet parallels can be drawn with Queen Elizabeth I of England. two were ardent, patriotic leaders descended from powerful rulers (in the case of Elizabeth, Henry VIII, and in Cleopatras instance the Ptolemeic dynasty). Wielding great authority themselves, Cleopatra also used her charms as a courtesan to bend the wills of her political peers. Elizabeth used her unmarried status to roll in the hay numerous suitors to her political advantage. Their intelligence is another common trait. Elizabeths linguistic ability is well attested, not only by her tutor Ascham, but by visitors to the English court who speak of precisely this facility in replying to ambassadors either i... ...e. This simple carpenter preached transcendence and many believe he save the world by the surrender of his life. Cleopatra found release done surrendering as well. She broke the confl icting chains of passion, governance, and the other illusions of reality by surrendering her life.BibliographyBoyce, Charles. Shakespeare A to Z. Roundtable wardrobe New York, 1990Chauveau, Michel. Egypt in the Age of Cleopatra. Cornell University Press Ithaca and London, 1997Falconer, Colin. When We Were Gods. Crown Publishers New York, 2000Greenblatt, Steven. Antony and Cleopatra. The Norton Shakespeare Tragedies. W.W. Norton & Company New York, London, 1997Neely, Carol Thomas. Broken marriage in Shakepeares Plays. University of Illinois Press Urbana and Chicago, 1993Smith, Marion Bodwell. Dualities in Shakespeare. University of Toronto Press, 1966