African and Carribean Dance

at heart African and Caribbean trip the light fantastic toe there atomic number 18 many similar stylistic features stemming from various places either organism the background from where the trip the light fantastic evolved from or cultural entailments. Within the raise there go awaying be discussions about the movement language of the deuce styles. Cultural significance and the stylistic features of the leaping pass on also be discussed. The two styles of dance from African that ordain be discussed be Muchongoyo and Kinka. Caribbean allow for be focussing on the Kumina and Dinkie-Minie.\nOriginating from Congo in tungsten Africa is the traditional ritual, Kumina. According to Carty, Kumina practitioners think there argon tether ranks of spirits, this dance confabs to the the Ancestral rank. The dance calls on the spirits to actualize their wishes of good and deplorable, and is performed at diverse events including marriages, engagement, births, deaths and for pol itical or well-disposed success. Also as express by Carty it can be used to perform evil tasks such as fashioning someone ill or wishing bad mess on their family. This is possible because the ancestors they call upon were also alive at one point so share their feelings on judge and revenge. (Carty, 1988. Pg 20-21) The ritual commonly begins at sundown and ends at dawn and different colours are worn for different ceremonies. They dance round a primeval pole, also dressed in particular colours for the ritual. Within the group of dancers is also a King or tycoon dancer who is the leader, this person will normally either be the best dancer in the group or will be the most knowledgable in the rituals and customs. (Cary, 1988. Pg 21) The Kumina has two main drums that are used, namely the Kbandu and the Playing Cast. The Kbandu is the manful drum which is made from the jumble of a ewe, stretched and sprayed with White left(p) until the required pitch is acquired. The trail dru m is the Playing cast, the young-bearing(prenominal) drum which speaks throughout the dance and leads the dancers through their brea...