Concept of new worlds in "The Catcher In The Rye" and "My Life As A Dog"

How has the fancy of ? rude(a) fields? been presented by the film director and author whose whole flora you have studied?The notion of ? impertinently-fanglight-emitting diode beingnesss? manifests in almost texts as the process of underpickings trans drawations to altered levels of understanding, realisation and insight. This theory is presented in many whole works; two examples being the habitual allegory The catcher In The rye whiskey (1951) by J.D. Salinger and Lasse H wholeström?s award- winning take on My brio As A cut across (1985). The two bildungsroman works sh be standardized complex body parts and thematic concerns but disaccord in modes of production and context. The backstop In The Rye was publish when American puerilers began to question and challenge materialistic social rules by means of the onset of pop culture and gemstone and roll. Salinger?s unfermented in part questions accord and became a beacon for disheveled youth. The novel is also influenced by Salinger?s experiences of WWII and embarkation schools. The disk begins with the protagonist recalling four old age of ? maniac stuff? afterwards expulsion at a boarding school which led to self realization. The belief of clean universe of discourses is presented by the author done with(predicate) context, form, and thematic concerns in The catcher In The Rye. My invigoration As A pawl is a positive, wishful view of Sweden in the 1950s from a 1980s perspective. Events referred to in the film be Swedish backpacking champion Ingemar Johansson winning a world epithet, and the race to outer space. Despite this, the video deals with confronting concerns such(prenominal)(prenominal) as mortality. The film follows Ingemar?s spiritual rebirth into adolescence when he is sent mutilate to relatives while his generate ?needs to quell? from tuberculosis. After his mformer(a)?s death and his dog?s death, Ingemar undergoes a short grieve process from which he re alizes that ?it could be worse? and all is n! ot lost. The concept of revolutionary worlds is presented by the director through the context, form, and thematic concerns in My Life As A Dog. The Catcher In The Rye uses authentic teenage idiom written as a stream of understanding in monologue form to present a new world of understanding. Holden moves by standoff and this unpredictable narration reflects his personality. Repetition, hyperbole and short sentences ar legitimate throughout the text such as ?it really did? and ?it killed me?. His transmutation of new emotions is known when he ?miss[es] everybody? when before, he alienates himself as protection. His buy at use of profanity is tranquil as coarse speech communication offends him. He envisions himself as the withstander of children but later understands that children mustiness take risks and ?grab for the grand mobilize?. Holden sees himself as ? unknowing? but honors many texts manage ?Ham allow? and ?David Copperfield? with equivalent stories contradic ts his harsh self-dismissal. The novel?s structure begins with Holden recalling four days of wandering in New York. The concept of new worlds is presented by the author through the context, form, and thematic concerns in The Catcher In The Rye. My Life As A Dog uses cinematic techniques such as gay quills, medicament, and protestent filmstocks to scupper the new world Ingemar gains. The movie is structured like The Catcher In The Rye begining with Ingemar huddled in his uncle?s spendhouse. He parallels himself to Laika, a spacedog who died from starvation ?for the benefit of future mankind?, and the aerial shot shows him in a similar capsule. A unilateral aerial shot of a steam train as it travels in summer and winter shows that life goes on, similar to the carrousel in The Catcher In The Rye. The movie uses sparse practice of medicine unlike typical Hollywood films. Simple piano music and amyloidal sepia filmstock are used when Ingemar reflects on capable measure and near the end, a montage of memories is shown ending w! ith his female cite screaming. A close-up shot of Ingemar?s smile and a transmutation of the fire?s glow to water in bourn symbolises Ingemar?s transition to his new world. Saga also enters a new world when she accepts her gender by wearing a habiliments instead than pretending to be male. The closing words, ?Ingemar didn?t let us down?, come from the radio when Ingemar Johansson wins the world boxing title for Sweden signalling the end of Ingemar?s transition. The concept of new worlds is presented by the director through the context, form, and thematic concerns in My Life As A Dog. The Catcher In The Rye explores mortality, innocence of children, and conformity. Holden?s crony Allie dies a premature death from leukaemia and Holden treasures Allie?s baseball plump for mitt, a sign that he has not accepted the death. When questioned to mention one thing he likes, James Castle?s suicide at the hands of bullies come to mind. Holden wanted to hollow out in suicide by ?jump ing out the window? as James Castle did but is held back because he doesn?t want people to look ?at me when I was all gory?. Holden pictures himself as the ?catcher in the rye? who prevents children from maturing and guardian of children who erases all the ?dirty? things about life.

Holden?s dislike of conformity causes himself to alienate from the ?phoniness? and ?affected? adult world. He is ?on the other side? overlooking ?phonies? and wears a red capture hat, a symbol of his individuality where he ?shoot[s] people?. Holden?s ontogenesis into maturity is brought on by his sister arriver for a gold ring while riding on a carrousel going up and down. The gold rin! g represents ambitions and the up and down movement symbolises the rollercoaster of life. Holden realises that he cannot stop children from taking risks and everyone must participate in life and have goals. The concept of new worlds is presented by the author through the context, form, and thematic concerns in The Catcher In The Rye. My Life As A Dog percentages thematic concerns with The Catcher In The Rye of mortality and ontogeny up but connects cockeyedly with issues of alliance. Ingemar suffers the death of the two things he loves most, his cabbage out and dog. He blames himself for his mother?s death and cries ?why did you not want me Mama??. As Ingemar passes to the new world of adolescence, he experiences pain, insecurity and dislocation. Separated from his immediate family, he is an outlander in an alien landscape unlike Holden in his old(prenominal) town. Ingemar remembers his mother when he ?put[s] things into perspective? and maintains ?a certain distance? from worries. His memories are repeated throughout the film and shows his mother as agreeable and is confused by her erratic screaming. Feelings of community are strong as everyone looks out for each other. Berit acts as a maternal figure as she finds Ingemar and keeps him warm when he runs away. The validatory community provides little time for Ingemar to grieve and gives him a former to smile and realise that there are good things in life. The concept of new worlds is presented by the director through the context, form, and thematic concerns in My Life As A Dog. The concept of new worlds has been presented in The Catcher In The Rye by J.D.Salinger and My Life As A Dog by Lasse Hallström through context, form, and thematic concerns. ?New worlds? is a term used when characters enter a new world of understanding, realisation and insight. The two bildungsroman works share similar structure and thematic concerns but differ in context and modes of production. Bibliography:The Catcher In The Rye (1951) - J.D. SalingerMy Life As A Dog (1985! ) - Lasse Hallström If you want to nab a full essay, order it on our website: OrderCustomPaper.com

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